• rumba@lemmy.zip
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    8 days ago

    Stealing a bar, or a concept, or a sample, all are really normal, as they’re transforming the art. They’re meant to help you remember the old piece with a little nostalgia.

    He took 100% of the choreography here from a movie that was hardly seen in the US. This is not to say he wasn’t talented at it. But you throw that together with a moonwalk and a few other pieces and you have 100% of his stage presence.

    • Knock_Knock_Lemmy_In@lemmy.world
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      7 days ago

      Rather than seeing it as “copying,” Fosse viewed Jackson’s work as the natural evolution of dance and praised Jackson’s precision and talent. In Sam Wasson’s biography Fosse, the legendary choreographer praised Jackson’s movement: “He’s one of the greatest dancers I’ve ever seen… maybe since Astaire, because he’s so fast… and because when he extends his arm or his leg or whatever, it goes completely out and then right back. Not half out, not one quarter, not nine tenths. It goes completely out and then right back—fast. But it’s complete. Every action is complete.”

      The respect was mutual. Jackson openly acknowledged Fosse as a major inspiration and personally met with him, telling Fosse, “You’ve changed the face of dance. You’ve been an inspiration to me.”

      https://www.reddit.com/r/interestingasfuck/comments/1w8zmd6/michael_jacksons_iconic_style_fashion_and/