Falling Down is the American Dream turned nightmare.
I’d submit that — in 1993 — the one that struck me as being the most similar was Demolition Man. Not the Sly Stallone character in comparison, tho. The Dennis Leary character was more a 1 to 1 analogue of the non-conformist pushing back on a system that deems him “not economically viable.”
Later, 1998, I’d say that The Way of the Gun (wri/dir Christopher McQuarrie) does this well. I know, I know, low scores on RT and iMDB, but this movie still works for me. Even the opening scene, which sets up a world of reprehensible characters perfectly. It’s a rock-solid neo-noir western helmed by a the writer of the Usual Suspects (and a long string of Tom Cruise projects including M:I 5,6,7&8.)
I’d also toss in Ghost Dog: Way of the Samurai. A man, who has a code, undertakes to address that which he sees as unjust while moving through a world that wants to exploit him. And, American Beauty (1999) (tw: Spacey)
By the late aughts and early '10s, in the wake of the total meltdown of the global economy, Margin Call (2010, only economic violence) and Killing Them Softly (2012). “Now fucking pay me.”
Falling Down is the American Dream turned nightmare.
I’d submit that — in 1993 — the one that struck me as being the most similar was Demolition Man. Not the Sly Stallone character in comparison, tho. The Dennis Leary character was more a 1 to 1 analogue of the non-conformist pushing back on a system that deems him “not economically viable.”
Later, 1998, I’d say that The Way of the Gun (wri/dir Christopher McQuarrie) does this well. I know, I know, low scores on RT and iMDB, but this movie still works for me. Even the opening scene, which sets up a world of reprehensible characters perfectly. It’s a rock-solid neo-noir western helmed by a the writer of the Usual Suspects (and a long string of Tom Cruise projects including M:I 5,6,7&8.)
I’d also toss in Ghost Dog: Way of the Samurai. A man, who has a code, undertakes to address that which he sees as unjust while moving through a world that wants to exploit him. And, American Beauty (1999) (tw: Spacey)
By the late aughts and early '10s, in the wake of the total meltdown of the global economy, Margin Call (2010, only economic violence) and Killing Them Softly (2012). “Now fucking pay me.”
From TV: The Wire and Breaking Bad fit the bill.