For me if I had to pick a good contender it would be the UK version of The Office.
I know many tend to debate how Ricky Gervais really fell off and how he repugnantly acts like a whiny centrist edgelord but me personally IMO I actually don’t think he was ever funny not even a little.
His big break through television was just so painful to sit through it’s so charismatically boring the characters are completely generic at best (notably Tim) or straight up insufferably unlikable at worst (especially the protagonist David FUCKING Brent) and most importantly the humour is just embarrassing.
Always seemed like The Thick Of It but without the nuisance tongue in cheek and charming satire.
Kinda surprised I didn’t see breaking bad already listed. I guess I’m one of the few who dislikes it. I don’t like tragedies in general. Life is already a tragedy.
I’m sure it was extremely well executed and totally worth making, but it’s not my flavor of ice cream.
It started out a lot funnier and slowly became darker over time. I think I remember Gilligan saying this was a conscious choice, to grow darker in tone over time.
Anyway, that’s what hooked a lot of people initially, and a lot of them stuck around for the drama that followed
Genuinely though the Talking Pillow scene is still my favorite. As someone who lost a dad to cancer the conversation was morbidly funny and real to me, with the pillow as a perfect set piece.
For me it’s Friends. I don’t get all the hype about it until today. I tried watching a few episodes but it was nothing special. It was just a sitcom, nothimg special about it.
Same here. Personally I thought the British comedy Coupling was so much better done.
Except the last season. That was bad.
No Geoff. No show.
I haven’t seen a full episode but Big Train seems like it had some legs, and was right around The Office timeframe.
My favorite scene with a VERY young Simon Pegg: https://youtu.be/VKH9ECC_Qa4?is=sntN4AxaEXgPHFsg
The US Coupling could have been the new Friends, but they bungled it just as bad as That 80s Show.
It was special because “everyone” watched it. The meh or bad parts were whatever, while the exciting or good parts were something you could talk with all your friends about at school. This made the good parts uniquely good.
So unless you happened to both be alive and watch it when it ran, it just won’t be amazing.
Alternately, you were “the kind of person who didn’t watch Friends”, which still made it a cultural touchstone.
The US Office is unironically a better show because it understood what path it wanted to take as it went on and stop trying to rely heavily on cringe comedy to focus more on absurdist but still relatable scenarios.
There’s a huge regional and cultural aspect to what you’re saying. You’re comparing slapstick in-your-face American comedy to subtle cringe British comedy. The Office is an excellent example since it is exactly the same script used in both initially. Watching S1E1 for British vs American version is an excellent comparison of styles. I don’t like British comedy particularly and don’t even like The Office, but watching both back to back, I would prefer the British version.
There are a number of amazing British comedies. They are very different to American. British comedies are understaffed, a bit miserable. Try “I’m Alan Partridge”…such an amazing comedy.
Equally I’ve tried watching Curb Your Enthusiasm with British friends and a large portion can’t stand that for how cringe it is ¯\_(ツ)_/¯.
There’s no superior choice in matters of art and taste. Just different flavours.
There’s a big cultural difference between Curb and Partridge - cringe isn’t universal!
Specifically, Larry in Curb has a distinctly American sense of individualism. He does what he wants and doesn’t care if someone doesn’t like him for it. The cringe comes from his attempts to enforce his own set of unwritten social values on others.
Alan Partridge is the exact opposite - fundamentally insecure and desperate for approval. His cringe comes from lack of self-awareness and trying to fake social status, which is painfully obvious to a British audience with our deeply ingrained sense of class.
Ultimately, taste is taste, but I think that goes some way towards explaining why some people like one or the other but not both.
I can’t watch The Office.
My empathy makes me feel super uncomfortable watching people do socially mean or cringe things. I enjoyed most of Parks and Rec, but I didn’t like the way they treated Garry, and almost stopped watching because of that running gag.
Oddly enough, I devoured The Bear. It’s not high anxiety or intensity that turns me off, it’s the banal meanness that some express that I can’t stand. The Bear is intense, but the characters feel genuine and honest
but the payoff for Garry was SO good.
I nearly stopped after the first few episodes. They are really bad, I just cannot see the appeal of cringe comedy.
I would say the first season is the worst, and then after that it finds its footing and it doesn’t rely on cringe comedy but actually humorous situations.
There is still a little bit of cringe after that, but the majority of it is in the first season.
I’m curious if you’re from the UK, OP, because I think this colours your perception of the The Office very much. For the record I loathe both, but The Office UK is a typical British comedy of taking the absolute piss of the characters, who are irredeemable fools one and all. You re not supposed to find them funny, or like them. You’re supposed to laugh at them. That’s the usual expectation, with British comedy.
Americans seem to have great difficulty with that concept, and can’t seem to handle a protagonist that is made fun of.
Again, not defending the show itself. Just saying you need to be aware of this approach when you watch British comedy in general. The common language should not make you forget the ocean of cultural differences in between.
Now it makes sense why so few British comedies work in the US. The US only knows how to laugh at the hero’s jokes.
The Alchemist by Paulo Coelho
Sports. I have little tolerance for it because every time a big event is on, people get incredibly obnoxious. They think they know better than the professional players, they keep making so much noise, it polarizes people into arbitrary bands and start talking shit like using that as an excuse to be a homophobic POS, sometimes they’ll even riot because their team lost/won (da fuk), and even kill people over their favorite fucking team, and so much more. If the game is on I’d rather steer clear because it really brings out the worst in people.
Friends…
I would rather watch women’s tennis or a fishing show. I don’t fish, I don’t play tennis.
Avatar the last airbender.
Literally the only thing interesting is the serial reincarnation of the Avatar, the disability representation in Toph, and that weird demigod of misfortune people call the cabbage merchant.
Literally everything else sucks. The graphics are meh, the lore is forgettable, the magic system is somehow both overly complicated and restrictive, the characters are cringy and uncomfortable, Aang’s pacifism is infuriating, and the plot even more so.
Personally, the James Cameron movie is far superior. Not because of its characters or story. God no. But its worldbuilding is far superior. Eywa and the neural queues the Na’vi and the other local flora and fauna have has been a genuine inspiration to so many of my world building projects its crazy.
The visuals are crazy impressive too for the time period, and those floating mountains are just gorgeous.
Really, ATLA sucks in comparison, and I hate it when people slander the true Avatar just to push up their own cringy mess.
madmaxthatsbait.gif
Top tier Pocahontas troll bait mate 👌
I thought the American version of The Office wasn’t much better. Just constant cringe humor, it’s exhausting.
Big Bang Theory
The worst part is how it’s fans seem to think it’s a love letter to “nerd culture” (whatever the fuck that is) and endlessly bring it up if you dare mention any interest in comics, roleplaying games or anything in that vein. “Oh you’ll love this show, it’s all about that nerdy stuff.”
Blackface for nerds
Yeah I hate fake nerds on TV. Big Bang Theory being the absolute worst.
Obligatory Portlandia Nerd PSA (invidious link)
I grew up with actual nerds in the 89s and 90s. No one was like Big Bang Theory. We were not cool.
Letterkenny. Absolutely zero laughs out of me and something about it just induces a headache. I wanted to like it, gave the entire first season a watch, but my god it was painful.
I’ve got a good one: Andor. People can’t stop raving about it and I had to force myself to finish it. Deathly boring all the way through. I didn’t like anyone in it so I couldn’t root for anyone, and it was just a slog til the end. Crucify me star wars fans, I know you want to. 😇
Same, I tried to watch it twice but never made it through.
I think it’s the Disney adults who fangirl over the newslop.
how is Andor supposed to appeal to “Disney adults”?
Andor is one of the best things Disney has done for Star wars, but it’s far from perfect. If you watched it between Obiwan and Ashoka it looked like a masterpiece.
I have friends who are into jam bands and I’m glad they go to live music shows. However, I’m the type of person that likes movies that are a tight 90 minutes long, and one of my favorite songs of all time is less than 2 minutes long. My time is worth money, treat it like it is. I don’t need to listen to a 15 minute guitar solo.
I’m lead tou nderstand that drugs are often involved in developing appreciation for jam bands.
Are you currently on drugs? No disrespect if you are, but it took me awhile to unpack that sentence.
“I’m going to need you to write a concise sentence before I let you go.”–Cop about to perform the Strunk & White sobriety test
Sadly, no, stone cold sober.
the Strunk & White sobriety test
got me good
is there an AP style variant?
I’d imagine a devilishly complicated citation of a book by a married couple two-generations into hyphenated last names about their ancestors published by their parents’ eponymous publishing house.
I have seen so much praise for Kingdom of Heaven and all I did was laugh or yell at it, usually both. It’s so bad. So, so bad.
I’m sorry, you’re telling me they built siege towers in the middle of the desert. Where did they get the wood??? And there’s like 12 of them? And you aimed a Ballista and that took down every single one of them in one swoop? ALSO YOU ARE A SMITH APPRENTICE BUT YOU KNOW SIEGE TACTICS? AND YOU KNOW EVERYTHING ABOUT DESERT IRRIGATION WHEN YOU ARE FROM FUCKING ENGLAND? AND
I’m yelling again
And that’s not to mention how deeply historically inaccurate it is at moments, like even besides all the general Hollywood of it all. Like sure they get some moments right but generally, holy shit it’s bad lol
Though I will say watching Will Turner learn sword fighting from Qui-Gon only to be interrupted by Jaime Lannister was pretty funny
I’ve seen it noted by better critics than me that when people criticize movies by fixating on hyper-specific inaccuracies or contradictions (the Cinema Sins method) they’re usually expressing the fact that there were deeper underlying flaws in the movie itself that meant it failed to give them a reason to overlook those hyper-specific complaints.
After all, if the things you’ve listed here were reason enough to hate a film, on their own, you’re basically just saying that you shouldn’t watch movies. If you know enough about where and when a movie is set, you’re guaranteed to be able to find those kinds of inaccuracies in any movie you watch, with very few exceptions.
The real problem here, I suspect, is that Kingdom of Heaven, as released is a bad movie. The director’s cut, on the other hand, is incredible. Ridley envisioned this as a sprawling Lawrence of Arabia style historical epic, and that’s the film he made. That film was then butchered to fit what the studio thought would make a good theatrical release.
The director’s cut will not, to the best of my recollection, solve any of your specific complaints, but it is a far, far better movie.
Of course, it is possible that the version you saw was the director’s cut, in which case I’m very sorry, movies set in any version of the real world just might not be for you.
I watched the Director’s cut. It is a ridiculous movie lol
Sorry but the Hollywoodisms and bad history aside, it is also just orientalist as all hell and I will hold the movie’s pretense of being a historical movie against it when it is so deeply revisionist
A movie I did really enjoy was Waterloo for example. There are plenty of movies where I can forgive some artistic license. Hell, I like Chernobyl even though yes, that is also revisionist, but I understand the choices that were made. For Kingdom of Heaven though, it’s clear Ridley Scott did what he is known for: putting a hatchet to real stories and chopping them down until there’s nothing left.
See, those are all really interesting and meaningful criticisms, and for the life of me I cannot understand why you didn’t lead with that instead of trying to nitpick how they got access to wood in a region known as the fertile crescent :-P
I’m a pedant! I’ll admit it!
Fair. If we’re being pedantic though, come on dude, they had wood in Jerusalem. Like, a lot of it. There are contemporaneous depictions of siege towers being used in the first siege of Jerusalem.
That’s fair!
3 body problem. What a fucking terrible shit waste of paper.
I think I’ve read (or at least started reading) the book like three times and watched the show twice and I remember none of it
at least, I think it’s that one. might have it mixed up with something else.
Preach.
The worst part is that if you somehow drag yourself through the first book and rightly declare that it sucks, fans will all say “Oh, yeah, the first book is bad, but it gets sooooo much better after that!”
This is a fucking lie. The books actually get progressively worse at a genuinely shocking rate.
Do you like reading a series of Wikipedia articles about all these really cool ideas the author had? Do you like being slapped in the face with moments of truly egregious sexism? Do you like characters with zero defining traits? Do you like entire plotlines built around Death Note style “I know that you know that I know that you know that I know…” style bullshit that falls apart the moment you think about it for five seconds? Do you like like awful solutions to the Fermi Paradox? Oh boy do we have the book series for you!
fans will all say "Oh, yeah, the first book is bad
i don’t think that’s how it goes. the fans i know all say both books one and two are really good (second one being better than the first of course, but no the first book is still awesome) while the third one is controversial. i personally agree with that except i also like the third book though i agree that one did nothing to dissuade misogynist interpretations and there are little if any strong femm characters in the series
You forgot the Deus Ex Machina explanation at the end that made literally everything before it a non sequitur.
And he had no new ideas. Anyone that reads that series and extolls the originality of the Dark Forest theory hasn’t read any science fiction to speak of, let along Saberhagen’s Berserker series from the better part of a century earlier. He had nothing new, he was a literature prof writing his first SF book and doing it way worse than any literature prof should ever be at writing.
Fucking garbage, I was angry and upset that I had wasted time reading that shit and wanted my money back. If anyone tells you that was great SF, you can safely turn your back and walk away, they have nothing useful to contribute to a conversation on the matter.
Death Note style “I know that you know that I know that you know that I know.…” style bullshit that falls apart
yeah if you didn’t like that part of death note (which i guess would be another of your responses to this question) you definitely wouldn’t like that plot line, which PSA to other commenters takes up about 1/4 of the second book. (i’m also curious to hear why you think it falls apart and debate it though i presume you wouldn’t be interested in debating this book lol. i liked the plotline partly because you also have to deduce what he’s going to do and going on through his mind)
awful solutions to the Fermi paradox
the Dark Forest Hypothesis has been around and proposed by physicists decades before the book popularized it, though not with that name; it is plausible that Liu independently thought of this. Stephen Hawking is a major proponent of this hypothesis.
OK, so, the most important thing to understand about the Dark Forest hypothesis is that Cixin Liu is not necessarily making a serious argument for it as a realistic model of how the universe works. The novels are works of fiction, and while I will trash Cixin’s prose to the ends of the Earth (it is dire, and absolutely none of my complaints have anything to do with translation; the shift from Chinese to English didn’t magically replace dialogue and character action with endless tracts of dry narration, that’s just how he writes, and it’s bad), I think his grasp of themes is actually really, really good. I’ve often commented that I would love to see Liu take all of his ideas and collaborate with a better writer on putting them into text.
In the case of Remembrance of Earth’s Past, the core themes of the series as a whole are all about altruism and cooperation, and the Dark Forest Hypothesis exists as a juxtaposition and foil to those ideas. He’s not necessarily advocating for it, it just works for what his story is trying to say about the human condition. The Dark Forest is, in a sense, the ultimate villain of the series.
I also want to note that while earlier versions of the theory existed, there are subtle but important differences in how they’re expressed. Hawking et al are/were proponents of the idea that aliens may be hiding, but The Dark Forest specifically presents the argument that no only is everyone hiding from Space Hitler, but that everyone is Space Hitler, as non-genocidal civilizations are inevitably wiped out. That’s what I take issue with.
As for why I think the theory is - removed from it’s context as a dark backdrop against which to write a story of hope - a crock of shit…
Well, OK, I don’t think it’s a crock of shit in the sense that it’s utterly impossible. But it’s presented, especially by fans, as a kind of inevitable logical assertion, a fait-a-complit that cannot be challenged because it’s so utterly self-evident. This is nonsense. While the theory is technically possible, all of our available evidence suggests that it’s extremely unlikely.
First, at a really basic level, 100% of our observations of intelligent species refute it. Humans constantly and enthusiastically blast our position into space, and the apparently irrefutable logic of the Dark Forest hypothesis hasn’t slowed our enthusiasm for doing so by one iota.
“But humans are an outlier!”
Based on what evidence? We have zero empirical observations to base that claim on. And no, I’m not claiming that one (1) species constitutes a statistically significant observation for my argument; rather I’m pointing to the fact that our empirical observations arguing for dark forest are zero (0), and our empirical observations against are > 0, and at some point proponents of the theory kind of have to deal with that fact. It’s just as absurd to claim that humans are an outlier as it is to claim that every species in the universe must inherently be like us.
What we do know that is all life on Earth with any degree of intelligence demonstrates curiosity. Curiosity is, as best we can tell, an essential component of applied intelligence. An incurious species will never smash a stick with a rock and learn the concept of a hammer. Curiosity compels us to want to learn about the unknown. Liu presents this idea that inter-species cooperation will always be an unbridgeable gap because truly alien creatures from truly alien environments will never be able to comprehend each other’s goals and motivations, and that’s frankly ludicrous. The drive to understand the unknown is what made the first ape pick up a burning stick and realise it could keep their tribe warm.
(Am I arguing that Project Hail Mary is basically a sufficient revocation of the Dark Forest Hypothesis entirely on its own? Broadly, yes.)
Further to the lack of evidence is the lack of any observable evidence of the ongoing galactic genocide that we are apparently endlessly surrounded by. We know when stars should die - we’re actually pretty good at it - so spotting when stars are being blown up by civilisation destroying weaponry wouldn’t be that hard.
Then we get to the fundamental flaws in the game theory. Liu proposes a forest full of hunters with rifles shooting each other from the darkness, but never once contemplates what happens if the hunter you fire at has a friend. Given the nature of the weaponry employed in the story, which is never shown to be capable of destroying more than one star system at a time, that friend doesn’t even have to be an allied civilisation, it can just be an extra-solar colony. The entire logic of the “Always strike first” conclusion falls apart at this point. You detect a star system that contains a nascent alien civilisation, you blow it up with a photoid. Turns out you detected one of that species first extra-solar colonies, and their homeworld immediately conceals itself, builds photoids, finds you and kills you. Hard to do, but entirely worth the effort now that you’ve made it essential to their survival.
The hunters gun reveals him when he fires, and why shouldn’t it? There’s no reason to believe that methods of interstellar destruction are entirely undetectable to observers. Logically, opening fire is a terrible decision; you have declared to everyone around you that you operate on a first strike principle, making yourself an immediate target for destruction, potentially by a group of altruistic civilisations who will immediately choose to cooperate against you. It’s really not hard to formulate the logic of the dark forest in such a way that, rather than only paranoid, genocidal civilisations surviving, it is the exact opposite; that cooperators have an inherent advantage that would lead to only cooperators surviving. The theory as presented just relies on assuming that all of its suppositions are correct while ignoring alternative possibilities.
The argument the theory presents against the likelihood of cooperation is the notion that we exist in a universe of finite resources, but increasingly our observations of the universe show that there is a LOT more matter than there is life, and at a certain level of technology all matter is usable resources. Basically once we can start printing carbon atoms we’re close enough to Star Trek replicators as makes no odds. Carbon is literally the fourth most abundant element in the universe. The Trisolarans can turn protons into multidimensional computers but they can’t fabricate food from the carbon in asteroids? That is an absolutely demented proposal. In the first Culture novel Ian Banks lays out how the Culture is basically undefeatable in conventional warfare because they’ve completely transcended the need for territory. Planets don’t matter when you can build spaceships the size of continents. The idea that advanced space-faring civilisations would be coming to blows over resources beggars belief. The Trisolarans have already demonstrated the technology required to just become a completely space-faring civilization.
Hell, if the entire driver of a lack of cooperation is scarcity of resources, why the fuck would we be blowing up each other’s star systems with all those valuable life-supporting planets? If the existence of advanced life is somehow utterly dependent on life-supporting planets in a way that is fundamentally unsolvable, you’d be insane to go around destroying them.
None of this is fundamentally dispositive to the theory. That’s not what I’m trying to claim. If it has a 0.0001% chance of being true then it’s still plausible. My point is simply that in order for it to be meaningful there are so many specific assumptions that would first have to be proven, and which, frankly, fly in the face of what available evidence we have. Essentially, we would have to be entirely wrong in many of our current observations of the state of the universe. You might as well assert that the moon is actually made of cheese, it’s just buried deep beneath all the bits we’ve studied. It’s a theory that seems entirely logical, as long as you ignore the vast majority of what we know about the universe.
And I do want to reiterate what I said at the top; the Dark Forest Hypothesis is almost certainly a bad theory because it’s not meant to stand up as a theory. It’s more than likely just meant to be a piece of sufficiently plausible sci-fi technobabble - just like warp drive - that it can support what the story is trying to say, not an actual theory that stands up to scrutiny. I just dislike that a) it really does rely on a LOT of bad assumptions, to the point where I was questioning it throughout the story, and b) people act like it is some kind of irrefutable masterstroke of game theory.
Stephen Hawking is a major proponent of this hypothesis.
was
oops. just because he’s dead now and not because he changed his mind, right?
Not sure, you’d have to ask him.
this is the definitive review. 10/10, no notes.
The only answer I can’t understand. A great novel. I Chinese context was very fresh and interesting for me. Sometimes it seems amature, like fan fiction, like author is not a professional writer. But it makes it even better.
I mean, I think you explain the reasoning in your own comment, the writing (at least in the English translation for me) was so rough that I couldn’t get into it. I can’t say I hated it, I just never got far into it because it couldn’t keep my attention.
I’m surprised to hear someone say the poor writing was a plus for them. Why did that make you enjoy it more?
As I explained - it feeled fresh. I can’t explain why, but I can’t put it down while reading.
I don’t try to convince people, who read this book, that it’s great. I address people who haven’t - you should give it a chance.
Oh my God, I thought it was just me. I usually consume a lot of sci-fi media in general and was like, “why can’t I like this highly acclaimed work?”











